圣彼得堡艾夫曼芭蕾舞团三部曲

剧目1

上海大歌剧院开幕演出季

Shanghai Grand Opera House Opening Season

俄罗斯圣彼得堡艾夫曼芭蕾舞团《罪与罚》

Crime and Punishment by Eifman Ballet of St.Petersburg

 

时间：

      2026年12月9日  周三 19:30

      2026年12月10日 周四 19:30

      2026年12月11日 周五 19:30

地点：上海大歌剧院·申厅

票价：￥180、￥280、￥380、￥480、￥680、￥880、￥1080

 

Date&Time:  

      2026/12/9   Wednesday 19:30

      2026/12/10  Thursday 19:30

      2026/12/11  Friday 19:30

Venue: Shanghai Grand Opera House · Soar Theatre

Tickets: ￥180、￥280、￥380、￥480、￥680、￥880、￥1080

 

演出介绍：

 

此芭蕾舞剧为鲍里斯·艾夫曼编舞作品

改编自费奥多尔·陀思妥耶夫斯基的小说

音乐设计：古斯塔夫·马勒、鲍里斯·季先科、伊拉里雍都主教（阿尔费耶夫） 布景设计：辛诺威·马格林

服装设计：奥尔加·沙伊什梅拉什维利 灯光设计：格列布·菲尔什廷斯基、鲍里斯·艾夫曼

首演日期：2024年9月17日

A ballet by Boris Eifman

Based on the novel by Fyodor Dostoevsky

Music: Gustav Mahler, Boris Tishchenko, Metropolitan Hilarion (Alfeyev)

Sets: Zinovy Margolin

Costumes: Olga Shaishmelashvili

Light: Gleb Filshtinsky, Boris Eifman

Premiere: September 17, 2024

 

芭蕾舞剧《罪与罚》是俄罗斯编舞大师鲍里斯·艾夫曼在2024年推出的全新年度力作，于2024年9月正式全球首演。舞剧改编自陀思妥耶夫斯基传世文学名著，艾夫曼以极具个人风格的现代芭蕾语汇，剥离文字桎梏，用纯粹的肢体语言、极致的情绪张力，剖开人性、救赎、挣扎与宽恕的深层内核，以马勒交响乐章铺陈浓烈情绪张力，借芭蕾肢体的起落舒展，拉扯人性善恶边界，在极致舞台美学中，剖开人心深处隐秘的明暗纠葛，诠释沉沦、忏悔与重生的永恒命题，让厚重的文学哲思，在舞台上获得全新的生命形态。《罪与罚》于2026年斩获俄罗斯戏剧最高荣誉第32届「金面具奖」，此次来华将开启此剧目的中国首演。

 

Ballet "Crime and Punishment" is the ambitious new masterpiece by renowned Russian choreographer Boris Eifman, premiered worldwide in September 2024.

Adapted from Dostoevsky's immortal literary classic, Eifman strips away the confines of words through his signature modern ballet language, using pure physical expression and raw emotional intensity to dissect the profound core of human nature, redemption, struggle and forgiveness. Set to Mahler's symphonic movements, the ballet builds an atmosphere of intense emotional tension. Through the rise and fall, stretch and extension of balletic movement, it tugs at the boundary between good and evil in human nature. Within its supreme stage aesthetics, it lays bare the hidden entanglements of light and darkness deep within the human heart, interpreting the timeless themes of depravity, repentance and rebirth—giving weighty literary philosophy an entirely new form of life on stage.

"Crime and Punishment" was honored in 2026 with the 32nd Golden Mask Award, Russia's highest theatrical distinction. This upcoming China tour marks the Chinese premiere of the production.

 

舞团介绍：

Photo by Souheil Michael Khoury

      艾夫曼芭蕾舞团由俄罗斯著名编舞大师鲍里斯·艾夫曼于1977年创立，是当代俄罗斯芭蕾艺术最具代表性的舞团之一。剧团以艾夫曼独特的“心理芭蕾”为核心艺术风格，将俄罗斯古典芭蕾深厚的训练体系与现代舞、戏剧及先锋舞台语言相融合，以文学经典、历史人物与人性命题为创作基础，通过极具张力的肢体语言深入探索人物复杂的精神世界。四十余年来，剧团先后创作《安娜·卡列尼娜》《叶甫盖尼·奥涅金》《卡拉马佐夫兄弟》《红色吉赛尔》《罗丹》等一系列享誉国际的作品，长期登上欧洲、北美及亚洲重要艺术舞台，包括巴黎香榭丽舍剧院、纽约林肯中心、伦敦大剧院、柏林国家歌剧院等，以鲜明的艺术风格和高度戏剧化的舞台表达赢得国际观众与专业界广泛认可。艾夫曼芭蕾舞团不仅代表俄罗斯当代芭蕾的重要创作力量，更以其对经典文学与人类精神世界的持续探索，成为连接古典芭蕾传统与21世纪舞蹈艺术的重要艺术团体。

The Eifman Ballet was founded in 1977 by the preeminent Russian choreographer Boris Eifman, and ranks among the most representative ballet companies of contemporary Russia.

The company's artistic identity is rooted in Eifman's signature "psychological ballet"—a style that weaves Russia's profound classical ballet heritage together with the vocabularies of modern dance, drama and avant-garde stagecraft. Drawing upon literary classics, historical figures and enduring human questions, the troupe deploys intensely charged physical expression to delve into the complex inner lives of its characters.

Over the past four decades, the company has built an internationally celebrated repertoire that includes Anna Karenina, Eugene Onegin, The Brothers Karamazov, Red Giselle and Rodin, Her Eternal Idol. It has graced the foremost stages of Europe, North America and Asia—including Paris's Théatre des Champs-élysées, New York's Lincoln Center, the London Coliseum and the Berlin State Opera—winning broad acclaim from audiences and critics for its bold artistic voice and powerfully theatrical staging.

More than a leading creative force in contemporary Russian ballet, the Eifman Ballet has, through its unwavering engagement with literary classics and the depths of the human spirit, become an essential artistic bridge between the classical ballet tradition and the dance of the twenty-first century.

 

 

 

剧目2

上海大歌剧院开幕演出季

Shanghai Grand Opera House Opening Season

俄罗斯圣彼得堡艾夫曼芭蕾舞团《叶甫盖尼 · 奥涅金》

Eugene Onegin by Eifman Ballet of St.Petersburg

 

时间：

      2026年12月12日  周六 19:30

      2026年12月13日  周日 14:30

地点：上海大歌剧院·申厅

票价：￥180、￥280、￥380、￥480、￥680、￥880、￥1080

 

Date&Time:  

      2026/12/12   Saturday 19:30

      2026/12/13   Sunday  14:30

Venue: Shanghai Grand Opera House · Soar Theatre

Tickets: ￥180、￥280、￥380、￥480、￥680、￥880、￥1080

 

演出介绍：

 

鲍里斯·艾夫曼芭蕾舞剧，改编自亚历山大·普希金小说《叶甫盖尼·奥涅金》

背景音乐：柴可夫斯基，亚历山大·斯特柯夫斯基

舞台设计：辛诺威·马格林

服装设计：奥尔加·沙伊什梅拉什维利，彼得·奥库内夫

灯光设计：格列布·菲尔什汀斯基，鲍里斯·艾夫曼

首演日期：2009年3月3日

A ballet by Boris Eifman

Based on the novel in verse by Alexander Pushkin

Music: Pyotr Tchaikovsky, Alexander Sitkovetsky

Sets: Zinovy Margolin

Costumes: Olga Shaishmelashvili, Pyotr Okunev

Light: Gleb Filshtinsky, Boris Eifman

Premiere: March 3, 2009

 

芭蕾舞剧《叶甫盖尼·奥涅金》是鲍里斯·艾夫曼以普希金传世名著为灵感创作的经典力作，于2009年3月正式首演。艾夫曼将19世纪俄罗斯文学中的经典人物重新置于时代剧烈变迁的语境之中，以极具个人风格的现代芭蕾语汇，打破文学与时代的边界，让人物褪去古典叙事的距离感，成为当代人熟悉而又陌生的情感镜像。作品以柴可夫斯基充满浪漫主义激情的音乐与亚历山大·西特科维茨基的摇滚音乐交织铺陈，在古典与现代、理性与欲望、孤独与激情的强烈碰撞中，重构这段关于错失、爱情与人生选择的经典故事。艾夫曼以充满张力的肢体语言捕捉人物内心最隐秘的情感波动，让舞台成为欲望与记忆交锋的精神空间。

Ballet Eugene Onegin is Boris Eifman's acclaimed masterwork, inspired by Pushkin's immortal verse novel and premiered in March 2009.

Eifman resituates the iconic figures of nineteenth-century Russian literature within the upheaval of a changing era. Through his unmistakably personal modern ballet vocabulary, he breaks down the boundaries of literature and time, stripping the characters of the distance of classical narrative so that they become emotional mirrors—at once familiar and yet strange—to contemporary audiences.

The score interweaves Tchaikovsky's impassioned Romanticism with the rock music of Alexander Sitkovetsky. In the vivid collision of classical and modern, reason and desire, solitude and passion, Eifman reinvents this timeless story of missed chances, love, and the choices that shape a life. With intensely charged physical language, he captures the most intimate tremors of the characters' inner lives, turning the stage into a psychic arena where desire and memory contend.

舞团介绍：

 

Photo by Souheil Michael Khoury

      艾夫曼芭蕾舞团由俄罗斯著名编舞大师鲍里斯·艾夫曼于1977年创立，是当代俄罗斯芭蕾艺术最具代表性的舞团之一。剧团以艾夫曼独特的“心理芭蕾”为核心艺术风格，将俄罗斯古典芭蕾深厚的训练体系与现代舞、戏剧及先锋舞台语言相融合，以文学经典、历史人物与人性命题为创作基础，通过极具张力的肢体语言深入探索人物复杂的精神世界。四十余年来，剧团先后创作《安娜·卡列尼娜》《叶甫盖尼·奥涅金》《卡拉马佐夫兄弟》《红色吉赛尔》《罗丹》等一系列享誉国际的作品，长期登上欧洲、北美及亚洲重要艺术舞台，包括巴黎香榭丽舍剧院、纽约林肯中心、伦敦大剧院、柏林国家歌剧院等，以鲜明的艺术风格和高度戏剧化的舞台表达赢得国际观众与专业界广泛认可。艾夫曼芭蕾舞团不仅代表俄罗斯当代芭蕾的重要创作力量，更以其对经典文学与人类精神世界的持续探索，成为连接古典芭蕾传统与21世纪舞蹈艺术的重要艺术团体。

The Eifman Ballet was founded in 1977 by the preeminent Russian choreographer Boris Eifman, and ranks among the most representative ballet companies of contemporary Russia.

The company's artistic identity is rooted in Eifman's signature "psychological ballet"—a style that weaves Russia's profound classical ballet heritage together with the vocabularies of modern dance, drama and avant-garde stagecraft. Drawing upon literary classics, historical figures and enduring human questions, the troupe deploys intensely charged physical expression to delve into the complex inner lives of its characters.

Over the past four decades, the company has built an internationally celebrated repertoire that includes Anna Karenina, Eugene Onegin, The Brothers Karamazov, Red Giselle and Rodin, Her Eternal Idol. It has graced the foremost stages of Europe, North America and Asia—including Paris's Théatre des Champs-élysées, New York's Lincoln Center, the London Coliseum and the Berlin State Opera—winning broad acclaim from audiences and critics for its bold artistic voice and powerfully theatrical staging.

More than a leading creative force in contemporary Russian ballet, the Eifman Ballet has, through its unwavering engagement with literary classics and the depths of the human spirit, become an essential artistic bridge between the classical ballet tradition and the dance of the twenty-first century.

 

 

 

剧目3

上海大歌剧院开幕演出季

Shanghai Grand Opera House Opening Season

俄罗斯圣彼得堡艾夫曼芭蕾舞团《安娜·卡列尼娜》

Anna Karenina by Eifman Ballet of St.Petersburg

时间：

      2026年12月16日  周三 19:30

      2026年12月17日  周四 19:30

      2026年12月18日  周五 19:30

地点：上海大歌剧院·申厅

票价：￥180、￥280、￥380、￥480、￥680、￥880、￥1080

 

Date&Time:  

      2026/12/16   Wednesday 19:30

      2026/12/17   Thursday 19:30

      2026/12/18   Friday 19:30

Venue: Shanghai Grand Opera House · Soar Theatre

Tickets: ￥180、￥280、￥380、￥480、￥680、￥880、￥1080

 

演出介绍：

 

鲍里斯?艾夫曼芭蕾舞剧，改编自列夫·托尔斯泰小说《安娜?卡列尼娜》

背景音乐：柴可夫斯基

舞台设计：辛诺威·马格林

服装设计：瓦切斯拉夫·奥库涅夫

灯光设计：格列布·菲尔什汀斯基

首演日期： 2005年3月31日

A ballet by Boris Eifman

Based on the novel by Leo Tolstoy

Music: Pyotr Tchaikovsky

Sets: Zinovy Margolin

Costumes: Vyacheslav Okunev

Light: Gleb Filshtinsky

Premiere: March 31, 2005

 

芭蕾舞剧《安娜·卡列尼娜》是鲍里斯·艾夫曼的经典代表作，于2005年正式首演，改编自列夫·托尔斯泰传世文学名著。艾夫曼以极具个人风格的“心理芭蕾”语汇，将宏大的文学叙事凝练为人物之间炽烈而复杂的情感纠葛，以柴可夫斯基充满戏剧张力的音乐铺陈人物内心，将爱情、欲望、婚姻与社会桎梏交织于极具冲击力的肢体语言之中，在现实与幻境的交错之间，层层剖开安娜内心深处对自由与爱情的渴望，以及无法挣脱的命运悲剧，让托尔斯泰笔下关于爱情、婚姻与个体命运的永恒命题，在当代舞台上获得全新的生命表达。作为艾夫曼芭蕾舞团最具国际影响力的作品之一，《安娜·卡列尼娜》长期活跃于欧美及亚洲重要舞台，并已成为剧团艺术风格与“心理芭蕾”美学的标志性作品。此次引进，将以世界经典文学与当代芭蕾艺术的深度融合，为观众呈现一部兼具文学厚度、音乐感染力与现代舞台表现力的经典作品。

Ballet Anna Karenina is one of Boris Eifman's signature masterworks, premiered in 2005 and adapted from Leo Tolstoy's monumental novel.

Through his unmistakably personal language of "psychological ballet," Eifman distills a sweeping literary narrative into the fierce and intricate emotional entanglement of his characters. Set to Tchaikovsky's theatrically charged score, he weaves love, desire, marriage and social constraint together in viscerally impactful physical expression. In the interleaving of reality and reverie, he peels back layer by layer Anna's deep longing for freedom and love, and the tragic fate she cannot escape. Tolstoy's timeless themes of love, marriage and individual destiny find new life on the contemporary stage.

As one of the Eifman Ballet's most internationally recognized works, Anna Karenina has long been a fixture on the great stages of Europe, the Americas and Asia, and has become the signature embodiment of the company's artistic voice and "psychological ballet" aesthetic. Its introduction to Chinese audiences offers a profound fusion of world literary classic and contemporary ballet—a work that brings together literary depth, musical power and modern theatrical expressiveness.

舞团介绍：

Photo by Souheil Michael Khoury

      艾夫曼芭蕾舞团由俄罗斯著名编舞大师鲍里斯·艾夫曼于1977年创立，是当代俄罗斯芭蕾艺术最具代表性的舞团之一。剧团以艾夫曼独特的“心理芭蕾”为核心艺术风格，将俄罗斯古典芭蕾深厚的训练体系与现代舞、戏剧及先锋舞台语言相融合，以文学经典、历史人物与人性命题为创作基础，通过极具张力的肢体语言深入探索人物复杂的精神世界。四十余年来，剧团先后创作《安娜·卡列尼娜》《叶甫盖尼·奥涅金》《卡拉马佐夫兄弟》《红色吉赛尔》《罗丹》等一系列享誉国际的作品，长期登上欧洲、北美及亚洲重要艺术舞台，包括巴黎香榭丽舍剧院、纽约林肯中心、伦敦大剧院、柏林国家歌剧院等，以鲜明的艺术风格和高度戏剧化的舞台表达赢得国际观众与专业界广泛认可。艾夫曼芭蕾舞团不仅代表俄罗斯当代芭蕾的重要创作力量，更以其对经典文学与人类精神世界的持续探索，成为连接古典芭蕾传统与21世纪舞蹈艺术的重要艺术团体。

The Eifman Ballet was founded in 1977 by the preeminent Russian choreographer Boris Eifman, and ranks among the most representative ballet companies of contemporary Russia.

The company's artistic identity is rooted in Eifman's signature "psychological ballet"—a style that weaves Russia's profound classical ballet heritage together with the vocabularies of modern dance, drama and avant-garde stagecraft. Drawing upon literary classics, historical figures and enduring human questions, the troupe deploys intensely charged physical expression to delve into the complex inner lives of its characters.

Over the past four decades, the company has built an internationally celebrated repertoire that includes Anna Karenina, Eugene Onegin, The Brothers Karamazov, Red Giselle and Rodin, Her Eternal Idol. It has graced the foremost stages of Europe, North America and Asia—including Paris's Théatre des Champs-élysées, New York's Lincoln Center, the London Coliseum and the Berlin State Opera—winning broad acclaim from audiences and critics for its bold artistic voice and powerfully theatrical staging.

More than a leading creative force in contemporary Russian ballet, the Eifman Ballet has, through its unwavering engagement with literary classics and the depths of the human spirit, become an essential artistic bridge between the classical ballet tradition and the dance of the twenty-first century.

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